Written by: Crocus Plant Doctor, Helen
Last updated: 23rd May 2023
The Gold Medal winning garden is inspired by Cedric Morris, who is probably best remembered for his wonderful paintings, but he was also a highly regarded plantsman. After visiting his former home at Benton End, Sarah Price was so inspired, she sought to bring the spirit of his garden to the Chelsea showgrounds. For us, building this garden has been an exciting challenge. It's pushed us to try new things and spurred us on to track down some really unique plants, but we're so pleased we did, because the end result is an enchanting garden that's packed full of colour and craftsmanship. If you can't make it to the show this year, here's your chance to enjoy a front row seat while we take you on a guided tour of the garden.
Often depicting bearded iris in his paintings, Morris was particularly drawn to those with mercurial, often subtle pigmentation, with intricate colour breaks and distinctive stippling. Keen to create his own strains, he would cross breed parent plants to produce hundreds of seedlings each year - and from these he would select just a handful to become 'Benton Iris'. Sadly, they're now scattered far and wide, but Sarah Cook (former head gardener at Sissinghurst) is in the process of amassing the National Collection of Cedric Morris irises, and with her help, we've managed to track down several different cultivars to feature in our garden. Exquisite and rarely seen, we think they're really special.
By planting a cornucopia of bulbs, iris, annuals and perennials in naturalistic drifts, Sarah has given the garden a wild, somewhat unrestrained exuberance. Choosing pines, elaeagnus and osmanthus to bring height, substance and form, she's also planted them in a way that brings a sense of seclusion to the gladed pockets. Sarah's use of colour is intriguing and complex - a mix of smokey pinks, blues, yellows and creams, all given depth and body with a smattering of richer shades - like the deep maroon of the wiry-stemmed Aeoniums found in the hand-made planters. Backed by the vast painted canvases that enclose the garden, the planting looks magical, containing just the right balance of nature and nurture.
We're particularly proud of the effort that's gone into this garden, and how experimental it has been. Throughout the build the focus has been on sustainability and craftsmanship, and wherever possible we've been sourcing locally or using reclaimed materials to create different elements of the garden. The reclaimed canvasses that help form the boundary have all been hand-painted by Sarah using plant based paint, while the straw cob bales were sourced from a farm just down the road from Crocus. Once in place, a traditional lime render mixed with brick dust and sharp sand from previous Chelsea gardens (for extra colour and texture) was applied.
Most of the paving, pots, planters, bricks and even furniture has been made on the nursery using either low-carbon, reclaimed, recycled or repurposed materials. It's what's given each piece its own unique character. All the compost used in The Nurture Garden has come from Crocus' very own (and very large) compost heap. Made from recycled cuttings and plant waste, it's eco-friendly and packed full of nutrients.
Sustainability is very important within the garden, bricks have been made from 95% waste materials, which include broken terracotta pots from our Crocus nursery.
Planting within the garden is a mixture of bulbs, iris, succulents, annuals and perennials in naturalistic drift.
The boundary walls have been painted by Sarah with a plant based paint onto old canvases recycled from theatres used as set-backgrounds.
The planting within the garden feels like a painting, seen here is Pulatilla vulgaris alba, Marrubium incanum & Eschscholzia californica 'Ivory Castle'.
The front table is made of a bespoke, low-carbon concrete and contains waste aggregates from Crocus. It is made of 95% waste materials.
Iris 'Beton Olive' is one of the stars of the show, see here with Linaria maroccana 'Licilia Azure'
Succulents are dotted throughout the garden, particularly around the paths to soften and add interest to the edges.
Wooden seating creates an opportunity to contemplate the garden from underneath the Pinus sylvestris.
Many of the annuals within the garden have been grown from seed, including Linaria maroccana 'Licilia Azure'.
The garden is a celebration of traditional craftsmanship, the pots within the garden have been hand-made at our Crocus nursery.
Plants we love from Sarah's garden
A huge amount of craftsmanship and skill goes into the making of a Chelsea garden. With only 3 weeks to bring the garden to life, the key to success is preparation, which starts at least a year before. The Nurture Landscapes Garden was a particularly challenging garden to prepare for, as so many of the materials within it were hand-made on our nursery. Watch the video below to discover the story of the build.
Sarah Price painted the boundary walls with a paint made of plant materials.
The planting team inspect Aeonium arboreum 'Atropurpureum' at the Crocus nursery ahead of the show.
Construction for the garden starts 3 weeks before the show opens.
Planting starts at the showground, Harriet Parsons and Sam Butler have been part of the Crocus planting team for many years.
The low-carbon bricks that were hand-made at the Crocus nursery are laid.
The rambling rose is carefully placed on the boundary wall.
Sara Price directs the planting team on the key planting combinations.
Rope made of waste brambles and hops are erected around the garden .
Our amazing team at the Crocus nursery have worked for many months to grow and care for the plants.
The build and planting team finish the garden tired but happy!
The Garden Museum is currently restoring the house and gardens at Benton End, re-establishing it as a hub for creative arts and horticulture. We're really happy to be able to support their work, so after the show closes, we'll be sending most of the plants up there (some returning to their original birthplace) where they can be reinstated in the garden.